Mea maxima culpa – massive apologies all round. I attended the Wine Society‘s spring tasting back in March, and had every intention of posting a piece featuring my favourite wines from the tasting. (I knew there would be favourites because I’m a huge fan of the Wine Society’s buying team, who seem to have an unerring instinct for buying impeccable examples of classic wines as well as an aptitude for making unusual discoveries.) And then life intervened. For a period of about six weeks, I was so busy that I didn’t really have time to devote to a write up of the tasting.
Wine of the moment
Rosés from Domaine Sainte Lucie, Côtes de Provence
Summer seems to be dragging its heels and taking an inordinately long time to get here. I seem to remember that by late May a few years ago, I’d enjoyed at least a couple of picnics in the hazy sunshine on Hampstead Heath (or maybe I’m just succumbing to selective memory syndrome, and May is always as fitfully springlike as it seems to be this year).
On the principle of the magic cigarette (back in the dim, dark, distant days when I used to smoke, the one guaranteed way to make a long-awaited bus appear or to hasten sluggish service in a restaurant was to light up a fag), I’m hoping to speed up the arrival of summer by opening a bottle or two of rosé in the next week or so.
Caruso e Minini, Perricone, Sicily, 2013
I spent much of the start of this week at the London Wine Fair, so you’d think that I’d probably be well over the wine tasting thing by this stage of the week. Nevertheless, I girded my loins this morning and set off to the Paddington Basin HQ of Marks and Spencer for one of their biannual tastings.
Now, supermarket wine tastings can be (often are) short on excitement, but M&S usually delivers – or at least puts in a good show of trying to do something a little bit different to the mainstream. Today, though, there wasn’t a whole lot I could get excited about – there were some well-made wines, but little that seemed to be singing – until I came across this bottle.
Marques de Murrieta, Castillo Ygay, Gran Reserva Especial, Rioja, 2005
I agonised for a long time about whether or not to feature this seductive, elegant Rioja as one of my wines of the week. Not because there were any doubts in my mind about whether or not it’s a good wine (answer – it’s an absolute stonker) but because it’s pretty expensive (you’re unlikely to see much change out of £60 if you splash out on a bottle).
And then I had a word with myself and decided to let you make up your own mind about the price. In most cases, wine writers labour under constant pressure from editors not to review ‘expensive’ wines. The definition of expensive varies from one magazine to another, but many’s the time I’ve heard a sharp intake of breath on the other end of the phone when I’ve proposed recommending a wine at £20. But I’ve come to the conclusion that in an era when it’s easy to spend fifty quid on an evening out at the theatre, or drop a ton (or more) on tickets for a gig (and don’t even get me started on the price of a designer T-shirt) that it’s ok, once in a while, to spend £20 – or more, dammit – on a great bottle of wine, especially if it’s going to really deliver on quality.
The Lane, Beginning, Single-Vineyard Chardonnay, Adelaide Hills, 2010
Last night we tucked into a big bowl of crab pasta for dinner. It’s one of our favourite midweek meals, mainly because it takes about as long to cook as it does to type out the recipe.
You put a big pot of salted water on the stove to boil, and while it’s heating up, you finely chop a clove or two of garlic and a red chilli. Once you’ve tipped the pasta into the boiling water and it’s about 3-4 minutes from being done, you fry in a healthy glug of good-quality olive oil until it’s just starting to release some aromatics (don’t let the garlic burn, it’ll turn bitter). Add some brown crab meat (we use a couple of 100 gram tubs) and stir together over a moderate heat. Add a good pinch of salt and the grated zest of a lemon, along with one tub (100g) of white crab meat and the juice (to taste) of the lemon you zested, along with a generous bunch of flat-leafed parsley, finely chopped. Drain the pasta, then stir it into the sauce.
Domaine de la Rochette, Fleur de Printemps, Sauvignon de Touraine 2014
Sauvignon Blanc is, I have to admit, not one of my go-to grapes. I find many versions just too strident to either match with food or drink or to drink by themselves.
I’m happy, though, to make exceptions to the rule when I come across something a little bit special, and Domaine de la Rochette’s Fleur de Printemps is definitely a cut above the average. Its aromas are vividly, typically Sauvignon Blanc in character – loads of pungent nettle and tomato leaf – but the palate has a richness and weight to it that provides the wine with a bit of gravitas and elegance. It’s a wine of great energy and drive, with a refreshing twist of lemon sherbet on the finish.
Domaine du Mortier, Brain de Folie, Vin de France 2014
Brain de Folie is, apparently, a French slang term for a hangover (it’s a new one on me, but there you go – my argot is obviously not au courant). It is also (probably not coincidentally) the name of a rather fab Cabernet Franc made from grapes grown in a vineyard just outside St Nicolas de Bourgeuil, one of the Loire’s premier appellations for the grape.
This is not a wine for those who like their reds full-bodied and rich (like last week’s wine, for instance). Instead this is typical Cabernet France, with its hallmark leafy raspberry and redcurrant fruit, bright acidity and crunchy tannins. In fact, crunchy is pretty much a one-word description of this wine – the drink equivalent of biting into a juicy Granny Smith apple – although my tasting note ends with the one word, ‘yum’.
Domaine de la Terre Rouge, Tête à Tête, Sierra Foothills, 2010
Generally speaking, I struggle with California.
No, let me rephrase that. Generally speaking, I struggle with Californian wines. Often they’re either cheap branded wines with simple jammy fruit and little structure, or they’re incredibly expensive wines with jammy fruit and too much structure.
No, let me rephrase that again. Although a lot of the cheap wines are (to my palate, anyway) pretty undrinkable, and a lot of the expensive wines are made on the principle that more is more, in terms of fruit, alcohol, oak and price, there are an increasing number of very good Californian wines being made. I was out on the West Coast in September last year and tasted some of the very fine, elegant wines that are becoming the stock in trade of some of the State’s most innovative, intelligent winemakers. My only problem with these wines is that they don’t come cheap (and when I say they don’t come cheap, I mean that it’s often hard to get any change out of £30, and many are priced in the £40+ price range).
Equipo Navazos, I Think En Rama, Saca of October 2014
Given that my MW dissertation was on the subject of en rama sherries, it’s only appropriate that my first wine of the week post should be about one.
First off, what is an ‘en rama’ sherry? The truth is that there’s no official definition of the term en rama (which isn’t terribly helpful) By and large, if you see the words on the label of a sherry bottle, you can be pretty sure that it’s been bottled with minimum intervention from the winemaker. (In technical terms, most of them are unfined, and have only been lightly filtered.) The idea is to help guide sherry lovers towards an experience that’s the next best thing to drinking sherry straight from the butt.
A wine for all seasons
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